Catalysed by the end of a complex polyamorous relationship played out on opposite sides of the world, some ending sees Norris revisit his parents’ earlier separation and uncover a grief he’d forbidden himself at the time. These poems look unflinchingly at heartbreak and find it everywhere – in protracted attempts to untangle two lives and the people caught in the cross-fire, in the messy deaths of loved ones, and in the tragedy of men unable to express themselves; this is a pamphlet about endings of all kinds, how they intersect, and how we reconfigure ourselves in the wake of them. But there is love, hope, and forgiveness here too. All endings have the seeds of new beginnings in them, and as Norris’s poems unfurl, this becomes as much a eulogy to new-found friendship and self-love as it is an eloquent dissection of loss.